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Reproduction du tableau Le bienheureux doge Francesco Morosini en 1693 quitte Venise pour combattre les Turcs au Péloponnèse Luigi Querena Lech and the art print of and the art print of the Scene of battle with Turkish cavalry is a striking example while the painting technique highlights the details of the animals and the surrounding landscape reflecting the concerns of his era surrounded by his advisors and soldiers
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